Category Archives: Fiction

Review of ‘The Shrine of Death’

The Hindu’s Literary Review supplement carried the first review of The Shrine of Death!

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Thrillers spun around Indian mythology are a dime a dozen. Pluck out whispered legends about temples or idols and weave them into tales of intrigue and you have a thriller in hand. In this saturated milieu, this book by Divya Kumar manages to stand a tad apart.

Generic title aside, The Shrine of Death does what many of the author’s competitors in the genre either fail to do or just don’t care to do. Divya Kumar pushes her research into the background and focuses instead on the characters, and not just her two protagonists.

She paints a world of journalists, art-mongers, academics and disillusioned IT professionals, and the grand descriptions of nature, architecture and warriors’ physique that usually define this genre give way to observed mannerisms, sensibilities and one-on-one interactions. Superlatives are kept to a minimum. It makes all the difference.

Working women curl up on the couch with their flatmates, swapping ghost stories during powercuts. An old woman going through emotional hell takes the trouble to check in on a troubled youngster. Cousins discuss bikes and careers, and exchange surreptitious glares when being scolded.

None of these moments is essential to the plot. But they do the job of keeping the reader invested — and better ensuring that the page will be turned — than any cliffhanger can. The story seems more real because the people and the situations are relatable, even with the occasional supernatural oddity thrown in.

That’s not to say that The Shrine of Death doesn’t deliver the usual dose of history: it’s just that every single page isn’t dripping with information overload. Kumar gives her readers plenty of space to rack their brains, to try and get ahead of the plot.

The plot revolves around an idol theft, and the hunt for a missing researcher who might have discovered something invaluable. Her colleague and old friend begin searching for her and the mystery soon widens enough to encompass the police and the CBI. Throughout The Shrine of Death, Kumar keeps her ambitions simple and delivers what she promises.

The Shrine of Death; Divya Kumar, Bloomsbury, ₹399

(The original article appeared here.)

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Why ‘The Shrine of Death’?

As the release date of my debut novel, the thriller ‘The Shrine of Death’ (published by Bloomsbury India in April) draws nearer, here is a look at the origin of its title…

When I began writing my book, I knew I wanted to set it in the world of idol theft. The Hindu was, at that time, doing a lot of coverage of the high-profile bust of Manhattan-based art dealer Subhash Kapoor’s international idol smuggling ring. My story very quickly evolved into a sort of prelude to that bust, a highly fictionalized account of the circumstances that lead to the Idol Wing, a small, specialized wing of the state’s CID – the only one of its kind in India – getting wind of Kapoor’s smuggling activities and his associates in Tamil Nadu.

As the characters fell into place, it developed into a story of greed and betrayal, of treachery and murder, of love and loyalty… And yet, yet something was missing. I was searching for something, a missing piece to complete the puzzle. I found it one breezy Chennai evening, at a talk about Chola temples by historian Pradeep Chakravarthy at Ashvita Bistro. Suddenly, in the middle of that pleasant gathering, I was transported to the ancient world of the Cholas, and of Pallipadais, crumbling old sepulchral shrines built centuries ago to worship great Chola kings and queens who had passed on.

I still remember the little shiver that ran down my spine as I heard him talk about them, these temples built over the graves of kings and queens who lived a thousand years ago. Temples that were then handed over to an ancient sect of ascetics who surrounded themselves with death, and smeared their bodies with the ash of cremation grounds. The grandeur of the Chola empire, the incredible art that was born of that time, and the stories of great patrons such as Queen Sembiyan Mahadevi… All of this was already a part of the story I wanted to tell, and now, I had found the final, missing piece: The Shrine of Death.

 

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Pre-order ‘The Shrine of Death’!

The pre-order link for my debut novel, ‘The Shrine of Death’ is up on Amazon.in! And it’s currently available at a 44 per cent discount, so do check it out 🙂

An April 2018 release from Bloomsbury India, ‘The Shrine of Death’ is a fast-paced thriller with a heady mix of crime, mystery, romance and the paranormal. Set in the murky of world of idol-theft, it takes you from Chennai’s newsrooms and universities to the sepulchral shrine of a Chola queen in the heartland of Tamil Nadu, and nothing and no one is what they seem…

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‘The Shrine of Death’ — coming April 2018

Here it is guys! A first look at my debut novel, a thriller, to be published by Bloomsbury India this April:

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“A beautiful, fiery young historian who discovered two priceless bronzes from the 10th century has disappeared without a trace …

Prabha Sinha, an IT professional in Chennai, is plunged into a murky world of idol theft, murder, and betrayal after she gets a mysterious phone call one night from her old friend Sneha Pillai. As she races to find answers before the people she loves get hurt, she seeks the help of Jai Vadehra, a troubled young man with a tragic past, and the gorgeous DSP Gerard Ratnaraj of the Idol Wing, CID, whom she can’t help but be drawn to. Their search takes them from Chennai’s newsrooms and universities to the abandoned sepulchral shrine of a Chola queen in the heartland of Tamil Nadu, and nothing, and no one, is as they seem …”

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Short Story: Murder in the Mirrors

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She carried the heavy laundry basket into the balcony, balancing it awkwardly against her growing belly. The winter sunshine was disconcertingly bright, the Dubai sky dusty blue in the gaps between high-rises. She was on the 10th floor, yet the glass-covered building opposite towered above her. He’d laughed when she called it a skyscraper. “It has only 18 floors. Real skyscrapers have 40 or 50.”

Wet clothes forgotten, she pressed against the cold metal of the railing, and looked at the building’s lake-green mirrored glass windows. There she was, the statuesque blonde sunbathing by the pool. The first time she’d seen her naked form, she’d frozen in shock. It had taken a moment to realise she wasn’t looking into a home in the building opposite, but at the reflection of her own building; that the woman wasn’t naked but in a bikini, by the pool, on the roof above her. Her gaze dropped eagerly down to the reflection of the balconies of other apartments in her building. She’d mapped them out now… 906, 806, 706 in a column under her own flat, and, to her left, 904, 804, 704… She’d never met or spoken to the people in these flats but, at these times, she felt connected to their lives. The maid in 806 had hung the clothes out to dry, pristine whites today, talking on her cell phone the whole time. The man on the seventh floor stood chain-smoking, ashtray balanced precariously on the railing. Her eyes flickered up again. There was the toddler in 906… her heart skipped a beat as he ran forward. Too close to the railing, baby! But a hand reached out and pulled him in, a voice scolding in a language she didn’t understand. He would know what language it was. But she couldn’t ask him. He’d think she was crazy, staring at the mirrors from her perch on the topmost floor. He wouldn’t understand. He was part of their world. Her days were spent alone in the flat, and even when she went out, she felt separate from the alien, glittering city and its alien, glittering people.

When she saw movement on one of the lower balconies, she stilled. Had someone moved into 504 already? Or was it 404, whose inhabitants she had never seen? The lower floors were harder to map, the images and angles warping in the mirrors. Four-oh-six was the flat with all the plants, so this had to be… But before she could get her bearing, it hit her that something was wrong. Very wrong. The couple, a tall, dark-haired man, and a thin woman with long, straight hair, seemed to be locked in some sort of tussle, an odd, otherworldly dance in the wavering mirror. Her heart was pounding, her hands gripping the railing hard and, as she leaned out further, the man’s thick arms rose, and his hands wrapped around the woman’s neck. The woman was struggling, clawing at his fingers. Call for help, you should call for help! But the other balconies lay empty now, and the road was too far down. As she looked around in panic, the sunlight bouncing off the glass caught her eyes, and she was blinded. When the dark spots cleared, the man and woman were gone. Only she was left on the 10th floor, trembling, her fingers locked tight around the railing.

***

“So, you’re telling me,” he said with exaggerated patience, “that a man strangled a woman in broad daylight, in his balcony, right here in this building, but you don’t know which floor or flat.” He dropped the spoon on his plate. “And now you want me to… what? Go knocking on our neighbours’ doors, asking, ‘excuse me, did you kill your wife?’”

Her face reddened in mute misery. She had watched from the balcony all afternoon, half-expecting a police car or an ambulance to arrive. But neither had. The balconies of 404 and 504 had remained resolutely empty. The maid came out in 806 and took in the clothes, still on her phone. The woman in 604 watered the plants. The man in 706 came out for his evening smoke. Then the sky darkened to ink blue, the mirrors turned mossy and opaque, and she saw no more.

“It has to be either 404 or 504, I’m quite sure,” she said, voice small.

He finished eating, and sat back. “It’s all these teleserials you watch. They fill your head with all sorts of nonsense. You need to go out, make friends. Did you even speak to the lady I introduced you to?”

“I didn’t imagine it,” she wanted to scream. But the protest died on her lips.

His voice softened. “You have to stop upsetting yourself like this. It’s not good for you or the baby.” He patted her arm. “We’ll go to the park tomorrow evening, what do you say?”

***

She pressed herself further into the corner of the mirrored lift. Going up. She had spent the night unable to sleep, and the morning staring into the green glass. Then, finally, she had changed into one of the few salwar-kameezes that still fit her, and got into the lift.

First, she had gone down to G, planning to ask the security guard if anyone had moved into 504. But when they’d reached the ground floor, she hadn’t moved, and had held her breath as the lift filled up again and began to go up. The delivery man got out on the first floor, the two women on floor three, their high heels clicking. The doors opened on four and five, but she didn’t get off, and the middle-aged man, the only other person in the lift, shot her a suspicious glance. He finally got off on six, and she heaved a sigh of relief. She reached for 10 on the lift’s panel — enough was enough — and then paused. She was alone now. The doors had closed, and the lift stood poised, in waiting… On an impulse, she pressed five. This time, when it stopped, she stepped off.

The corridor stretched out dimly on either side, all dark brown tiles and stale cooking smells. She turned left and walked to where she knew 504 would be, and there it was, front door open and large cartons and furniture and a child’s cycle strewn about outside. She stopped in surprise, and watched as a short, bespectacled man came out with two tall men in red t-shirts, obviously the movers. “These boxes have to go to the children’s room,” he was telling them. “Arre, carefully, or everything will break!”

He either didn’t see her, or didn’t acknowledge her. She slunk back to the lift, pulse racing. There was no way this could be the man she had seen in the balcony. Inside, her hand hovered over the fourth-floor button, but she pressed 10 instead. She knew now. It had to have been 404. Had to. She hugged her swollen stomach as she felt the baby squirm inside. Suddenly, all she wanted was to be back in the safety of her house.

***

When she heard the jingle of his keys outside the door that evening, she tensed. She was going to tell him what she’d found out, and tell him to ask the security about the mysterious tenants of 404. Obviously, something was wrong, that’s why the poor woman never ever came out, not even onto the balcony. God knows what had happened to her now…

Her heart sank as she realised he wasn’t alone. He opened the door, still talking to the person with him. “No, no, please come, have a cup of chai with us. I insist,” he was saying in an ingratiating tone. “Look, who I met,” he said to her. “He’s new in the building, works at Al Mostafawi, our parent company…”

But she wasn’t listening. It was the man from 504, small, bespectacled, balding. Did he recognise her? The man smiled perfunctorily. “I will join you another time,” he said. “My brother is waiting…”

“I invited him also… ah, there he is. Come in, come in.”

Even before the tall figure filled the doorway, she knew.

Not 404. It was never 404.

“Hello,” the brother said. His eyes were like green shards of glass. “Nice to see you again.”

***

Later, she couldn’t remember if he’d really said “again”, or if she’d imagined it. Snippets of the men’s conversation reached her as she hid in the kitchen, shaking. The brother used to work for Mostafawi too, but was leaving soon for the UK. He was getting married “to Mahmoud Mostafawi’s own niece”. The little man tittered. “After that he won’t even turn and look at us poor relations.”

That night, her husband could speak of nothing but the wedding and the billionaire’s niece.

And she thought of the girl on the balcony, the girl who was not the billionaire’s niece.

***

When she stepped into the balcony the next morning, it was overcast and chilly. No one was sunbathing on the roof. No laundry hung in 806. But he was waiting for her on 504. Their eyes met in the green mirror, and her world turned grey.

She was stumbling into the drawing room when she heard the lock turn, and she remembered that she hadn’t seen the spare key on the table that morning.

When they found her body, they called it a suicide. But the mirrors knew different. They knew.

Divya Kumar is a Dubai-based author whose first novel ‘The Shrine of Death’ will be published by Bloomsbury India in 2018

(This story originally appeared in BLink’s fourth anniversary fiction edition, as part of a series featuring the work of 2018 debut novelists.)

 

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