The smiles came instantly, the feet started tapping of their own accord, and heads swayed to the lively tunes. The enduring magic of Pancham da’s music was on ample display as a medley of some of his best-loved hits played before the launch of the book,R.D. Burman: The Man, The Music at Crossword recently.
Clips of songs such as ‘Aaja Aaja’, ‘Kaanta Laga’, ‘Chura liya’, ‘Chingari koi bhadke’, ‘Aaja piya tohe pyar du’ and ‘Oh majhi re’ played for mere seconds, but it was enough to set the mood for an event that was all about remembering R.D. Burman’s remarkable contribution to Hindi film music.
The walk down memory lane was lead by none other than the evergreen singer S.P. Balasubrahmanyam, who talked about his decade-long acquaintance with the music director.
“We first met in the mid-1970s, when he’d come to perform in Chennai, along with Asha Bhonsle and Bhupinder, at the University auditorium,” recalled SPB. “Unfortunately, the sound system there was miserable on the first day, so I gave him my own sound system for the second show, and met him afterwards. I was literally just a ‘chhota-mota’ singer back then!”
The first song they did together was ‘Baaghon mein khile hain’ for “Shubhkamna” (1983), and their musical association lasted until SPB recorded ‘Aaja Meri Jaan’ in 1993. “It was the last song I did for him, and it’s a number that is still talked about in musical circles,” said the singer. “I get very sentimental when I sing it; I always keep it for the end of any stage performance.”
The packed audience was treated to a mini-musical biography of the great composer, as SPB talked about Pancham da’s struggles to emerge from his father’s shadow, his genius with syncopation (“he was the human embodiment of rhythm”), his punctuality during recordings (“I once came 15 minutes late and really got it from him!”), and later, Pancham’s regrets over the way he was treated by some filmmakers during the low phase of his career.
The evening ended as it began — with music — as SPB fans in the audience requested him to sing for them. He obliged with ‘Khoya khoya chand’ and ‘Sach mere yaar hai’ (his duet with Kishore Kumar for R.D. Burman in “Saagar”), his voice soaring effortlessly over the hubbub at the bookstore (he drew the line at a request for his ‘Maine Pyar Kiya’ songs, though, saying in his gentle way, “that’s not relevant”).
“My acquaintance with Pancham was not, perhaps, as much as that of some senior singers,” he said later, “but I grabbed this opportunity to speak about him because I still live with his music every day.”